In 1996, Agathe and Antoine, during the production of Amore Captus, founded the company Les Colporteurs. With the help of the troupe, they built, the circus tent of their dream and imagined their first creation, Filao, based on the novel by Italo Calvino The baron in the trees. Filao combined circus, theatre, dance and music. It was performed 220 times between 1997 and 2000.
As from 1999, the crew of Colporteurs joined that of Nouveaux Nez to conceive, in Ardèche, what was to become La Cascade, a national centre for circus arts, which started in Bourg-Saint-Andéol in April 2008.
In May 2000, Antoine had a serious accident that will keep him from dancing on a rope. But he started working again as an actor, a musician and began working in stage direction.
Invited by stage director Giorgio Barberio Corsetti, les Colporteurs created the shows Le Metamorfosi (2002) then Animali, Uomini e Dei (2003).
Simultaneously, Antoine directed in 2003 Diabolus in Musica, freely inspired by Diableries by Mikhaïl Boulgakov.
Called back to the rope by young tightrope walkers asking them to teach what they know, Agathe and Antoine had a dream come true : creating a show exclusively with ropes and tightrope walkers. Le fil sous la neige, poetically picturing the challenges and emotions which punctuate human life, was created under the tent in 2006. The show was presented more than 270 times in France and 15 other countries.
This project marks the beginning of the sponsorship by Fondation BNP-Paribas which will support the artistic project of the company until 2014.
Simultaneously, Antoine started an intimate project on the same structure, and created in 2009 Sur la route… the reinvention of a language that helped him continue his artistic career.
Agathe & Antoine were the recipients of the Circus Arts SACD award in 2008.
Antoine also tried out the lyrical art. In 2004, he assisted Giorgio Barberio Corsetti in the direction of circus artists in a contemporary opera, "Le luthier de Venise", at Théâtre du Châtelet in Paris. Then in 2011, Joël Pommerat offered him a silent role in "Thanks to my eyes".
Agathe and Antoine were invited by Cirque du Soleil (Montreal, Canada) to conceive an act for four high-wire artists and four wires, as part of their creation Amaluna (2011-2012).
In 2012 in Lausanne (Théâtre Vidy) under the tent, Le Bal des Intouchables was created. With 12 circus artists and musicians, it explored the fragilities of human relations, difference, exclusion, downfall and rebirth.
The repertoire of Etoiles (the Stars) expands with the creation of the duets Le Chas du Violon (with Agathe and Coline Rigot, created in 2014) then Evohé (with Julia Figuière and Julien Posada, created in 2015). Directed by Antoine, both duets are designed for the public space and are presented together on tour as from summer 2015.
Les Colporteurs continue their under-tent artistic adventure, around the work by painter Jérôme Bosch and in particular the triptych The Garden of Earthly Delights.
Agathe et Antoine
They founded the company Les Colporteurs in 1996. They write and conceive the shows, and sometimes perform. As rebellious dreamers, they instigate the projects…Read more
Agathe et Antoine
They met at Annie Fratellini Circus National School in 1979. He was a burlesque stuntman, she was a tightrope walker. He learnt this artistry to meet her on her rope. They created together a duet on a rope with which they received in 1983 a silver medal at Festival Mondial du Cirque de Demain, and went to Cirque Roncalli for two seasons. From 1985 to 1988, they took part in the creation of Cirque du Soleil. In 1987, Antoine played Quasimodo with Théâtre de l’Unité, then, together with Ars Nova and Compagnie Foraine, Agathe and Antoine created L’Histoire du soldat in 1989.
In 1990, with strange birds, they were involved in the creation of La Volière Dromesko, with which they toured Europe for four years.
In 1993, they received the Circus National Great Prize and refined their research : using the command of tightrope artistry for the benefit of theatrical situations and they created Amore Captus. They keep collaborating with the theatre by assisting Mathias Langoff in The Government Inspector by Gogol, In the Jungle of Cities by Brecht, and with Footsbarn Theater by performing Ne touchez pas à Molière and le Cabaret inattendu...
Agathe and Antoine ask artists from the company to run training sessions, research workshops, meetings with high-wire artists, during their tours in France and abroad. These events are also available from la Cascade (Maison des Arts du Clown et du Cirque de Bourg St Andéol) which the company Les Colporteurs was involved in creating. Agathe is a supervising teacher for the Centre National des Arts du Cirque (Châlons-en-Champagne) as well as for Académie Fratellini (St Denis).
He is the technical manager of the compagny since 2016. He handles the technical implementation of the whole activity.Read more
He has been working in performing arts for about thirty years.
Since his beginning with a children's theatre company, then with the Compagnie du Galion and Théâtre Zou, he mainly learns by doing, with the help of many technicians, stage directors, stage designers and artists.
First tours, first lighting creations, set and prop manufacturing.
Then a small step aside making shoes, and a long stay in London.
Back in Nantes, he is a stage manager, lighting engineer, lighting manager on tour, with Crac Company, Company Non Nova and many others; he sets up visual art installations and regularly works with CRDC in Nantes providing technical support of the visiting shows.
He committed to Lieu Unique in Nantes and ensured stage management, then technical management over a period of 5 years.
Then, he moved to tours, creations, in technical management with Wajdi Mouawad, over 3 years.
He joined the team of Colporteurs in August 2016.
Fanny Du Pasquier
She is the manager of the compagny since 2007. She contributes to the compagny’s development and she supports all the projects in their different phases of production and operating.Read more
Fanny Du Pasquier
With a musician father, she experienced life on tour from her childhood, and started learning by doing: assembly and lighting, followspot, stage management, then tour management. In 1993, she graduated from ENSATT in "Management for the Theatre" and worked for two years at Polyfolies (producer of Quatuor and other musical and comic bands). In 1996, she settled down in Marseille working for Festival Dansem and, in the meantime, monitoring several dance companies, especially La Camionetta. From 1999 onwards, she was in charge of production/distribution of the projects of the company Les Colporteurs, supervised the company moving to Ardèche and became in October 2007 the manager of the company.
He is the production and distribution manager of the compagny since 2014. He promotes the shows, he also manages the negociations and looks after the good coordination of the tours.Read more
From canoe-kayak instructor to the circus world, there was just a small step. From 1997 to 2002, he became stage manager (rather "Factotum" as he likes to define himself) of la Menuiserie, workplace of the company Les Nouveaux Nez, with which he will collaborate for 10 years on various projects. As a tuba and sousaphone player, he played from 2003 to 2012 with several bands including Orchestraska, Art Gécko Beat... He has been dedicating himself to production and distribution since 2011. He has collaborated with companies such as Mauvais coton, Hors Cycles, Lonely Circus... He joined Les Colporteurs in September 2014, as production and distribution manager.
L'ASSOCIATION LES COLPORTEURS est dirigée par un Conseil d'Administration composé de 7 membres élus pour un an en Assemblée Générale.
Le CA choisit parmi ses membres un Président, un Secrétaire et un Trésorier.
Actuellement, les membres du bureau sont : Président : Monsieur Stéphane Ricordel - Secrétaire : Madame Solange Gregam - Trésorier : Monsieur Jérôme Cloquet.
Licences d'entrepreneur de spectacle n° 1-23031, 2-23318, 3-23032
We stand up for nomadism and the presence of caravans around the tent, as a certain way of life, a commitment of everyone in a collective adventure.
We pay particular attention to our presence at the heart of the city and the territories through which we travel. We endeavour to set up a welcoming and open camp, offering the conditions to meet beyond the performance time.
The tent, with its arena ring, is our favourite place. It allows us to perform in front of a wide family audience, to share our questions and reflexions with them.
The assembly of our small tent – the Bobybar – next to the performance tent, offers a friendly welcoming area where we can continue to share this moment with the locals, with the audience. Its full equipment offers a bar service and quality light snacks; and, depending on the people we meet and what they want to do, it is possible to organise concerts, small shows/performances, exhibitions, readings, screenings, conferences, etc.